


You have the ability to make some filthy, jarring synth noises and there is also nothing stopping you from playing some Debussy-esque romantic piano with the sustain pedal becoming a welcome addition. This might be down to how the keys feel and the resistance. There are some MIDI controllers that you wouldn’t even dream about using in a live scenario due to the lack of velocity, but with the MiniLab MK 2 you have that capability. I usually don’t like slim keys but these are easy to move around, possibly because they are slightly wider than most other small controllers. The keys feel really sturdy and have a good velocity range. The keys are solid at the front of the key, a step up from the first Mini Lab by Arturia. The 25 note velocity-sensitive slim keyboard is nicely crafted with a well-built key bed. I must say I’ve had hours of fun using this as a creative tool. When you open up Ableton Lite Live the MIDI is automatically assigned to the keys and editable parameters and you have a lot of wiggle room through the MIDI map within Ableton. I found this tool easy to get along with for the most part.

The actual build of the MiniLab MK 2 is nice and solid it feels almost unbreakable, which is ideal if you’re producing in various locations.

As soon as you get this bit of gear out of the box it feels approachable and makes you sweat with creative juices as you reveal it from hibernation. Whether you’re new to the MIDI controller world or a veteran, the MiniLab MK 2 by Arturia could certainly be a great asset to your set-up.įirstly, I need to mention how aesthetically pleasing this MIDI controller is.
